MV5BMTk2MDcxNTY3M15BMl5BanBnXkFtZTcwOTQxODgwMw@@. V1. SX600 SY393  300x197 Put Elias Koteas in your movie, nowBy Jay A. Fernandez

This is decidedly random, but I’ve seen two movies recently that featured typically strong appearances by the mostly unsung Elias Koteas. I don’t know what it is, but I find this guy exhilarating to watch and wholeheartedly believe that he needs to be on screen as much as humanly possible.

So I hereby call for casting directors to bring him in on everything — comic book villains, romantic leads, action roles, miserable dramas, pornos, whatever. Get him in the movie. Do it now.

At Sundance two weeks ago, I was suffering throughThe Killer Inside Me” when Koteas popped up as one of the few relatable characters — a guy who sees through the charming bullshit of Casey Affleck’s disturbed killer. He’s the kind of actor that lives so close to the skin of the character that he gives off those blurry heatwaves you see above a hot blacktop.

And then yesterday morning I was in a screening of Martin Scorsese’s “Shutter Island” on the Paramount lot and — whoa — there’s Koteas again. It’s only one scene, and he’s in some gnarly makeup, but I was so psyched to see his probing eyes and malicious grin.

Anyway, we all know how versatile he is, how he sizzled as the seductive Vaughan in David Cronenberg’s “Crash” and as the terribly conflicted captain in Terrence Malick’s “The Thin Red Line” and his supporting roles in Fincher’s “The Curious Case of Benjamin Button” and “Zodiac.”

He’s one of those rare actors — I’m thinking of Joe Morton, or David Strathairn — who classes up any movie he’s in, no matter how crappy it is or how little he’s in it.

So: Elias Koteas. Put him in your fucking movie. Please.

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