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Posts Tagged ‘“A Serious Man”’

PGA names its best pictures of 2009

January 5, 2010 - 7:51 pm

By Jay A. Fernandez

Tuesday morning the Producers Guild of America announced its Darryl F. Zanuck Picture Producer of the Year Award nominees, the equivalent of its Best Picture award. Here they are:

Avatar
District 9
An Education
The Hurt Locker
Inglourious Basterds
Invictus
Precious: Based on the Novel ‘Push’ by Sapphire
Star Trek
Up
Up in the Air

The PGA often matches the Academy in its noms — and this year both groups expanded to ten from five — but the PGA just as often steps away from Oscar with its winner.

Like the Academy, the PGA picked “Slumdog Millionaire” and “No Country for Old Men” in 2008 and 2007. But in 2006 it chose “Little Miss Sunshine” over “The Departed,” in 2005 it chose “Brokeback Mountain” over “Crash,” and in 2004 it chose “The Aviator” over “Million Dollar Baby.”

If we compare the PGA ten to those of the Broadcast Film Critics Association, which announced its picks for the Critics Choice Awards December 14, we notice that the producers swapped in “District 9″ and “Star Trek” for the critics’ “Nine” and “A Serious Man”:

Avatar
An Education
The Hurt Locker
Inglourious Basterds
Invictus
Nine
Precious: From the Novel ‘Push’ by Sapphire
A Serious Man
Up
Up in the Air

Does that mean anything? Mm, maybe. “Nine” has been kind of doomed (though only a fool would ever count a Harvey film out of best picture contention), and “A Serious Man” has seemed a little too fringe.

But three science fiction films up for a best picture Oscar? I’m all for breaking with tradition, but somehow I don’t see that holding up when the final Oscar ballots are sent around.

Regardless, give or take a film, that PGA list is what the Big Night is going to look like.

Critics weigh in on end-of-year kudos

December 14, 2009 - 1:38 pm

By Jay A. Fernandez

An avalanche of critics awards fell over the weekend — from Los Angeles, New York, Boston and Washington, DC — and in some areas sharpened the Oscar-race picture.

A few of the likely acting nods have begun to coalesce, namely around supporting actress Mo’Nique for “Precious” and supporting actor Christoph Waltz for “Inglourious Basterds.” George Clooney is also looking rosy as a best actor winner for “Up in the Air.” (Best actress remains a wash at moment.)

Kathryn Bigelow and her latest, “The Hurt Locker,” took several of the picture and directing awards.

I tend to eyeball screenplay awards more than the others, as the talent on display in those categories generates all the other players’ contributions. Those potential winners are starting to gel, as well.

Jason Reitman and Sheldon Turner’s screenplay for “Up in the Air,” adapted from the Walter Kirn novel, took more honors, this time from the L.A. Film Critics Assn. and the Washington DC Area Film Critics Assn. — the latter also awarded Reitman’s film picture of the year honors.

Meanwhile, the Boston Society of Film Critics gave its screenplay award to Joel and Ethan Coen for “A Serious Man.”

The New York Film Critics Assn. awarded the political farce “In the Loop,” written by Jesse Armstrong and Simon Blackwell, its prize. (A dark horse, “Loop” also got runner-up from the L.A. contingent.)

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